Abstract
The article shows Sadquain’s mystic expression having a peaceful existence as a major component in
the art of Pakistan, which is based on the mystic expression of Sadquain’s calligraphic inscriptions
with special reference to the inscriptional paintings. Mysticism, symbolism, aesthetic limitations of the
subject, functional relationship, inclusive study of the design patterns of the abstract geometry all are
the segments of the article. Several scholars commented on Sadquain’s paintings. But nobody writes
about his inscriptional calligraphic features in detail with the combination of mystic approach. This
paper presents a correlation between abstract expression, colors and geometric patterns by analyzing
the realization of emotional content, symbolic and stylistic representation of divine reality. The
research process is comprised of a logical expansion to understand the particular subject through
analytical study.
Samina Nasim. (2021) Mysticism as an indispensable Expression in Sadquain’s Calligraphic Paintings, Journal of the Research Society of Pakistan, Volume-58, issue 3.
-
Views
639 -
Downloads
137
Article Details
Volume
Issue
Type
Language
