جلد
شمارہ
مقالے کی قسم
زبان


تلخیص
Postmodernism is commonly described as incredulity towards metanarratives. A metanarrative is an abstract idea that is thought to be a comprehensive explanation of historical experience or knowledge. It claims to arrive at a single universal truth. But postmodernism undercuts this holistic stance by establishing alternative possibilities for construction of truth. The word ‚parody‛ is still tainted with eighteenth century notion of wit and ridicule but coming out of such period limited definitions, parody in postmodern texts can mean witty ridicule as well as intertextuality or ironic quotation. The article analyses Margaret Atwood’s novella The Penelopiad, exploring the postmodern conventions of historiographic metafiction and parody. Employing her tongue-in-cheek humour and featuring two centres of consciousness, Atwood subverts the Homeric omniscient narrator. Resurrecting the mysteriously veiled figure of Penelope, Odysseus’s wife, who is known for her nobility and constancy, Atwood gives Penelope the narrative voice, telling a widely different tale from the Homeric version.

Saman Khalid, Irshad Ahmad Tabassum. (2013) The Penelopiad : A Postmodern Fiction, The Journal of Humanities & Social Sciences, Volume-21, Issue-1.
  • Views 1049
  • Downloads 78