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This research explores the Punjabi culture and female place in the society with mystical elements presented in the romantic epic of Heer Ranjha composed by Waris Shah during late 1700s in Punjab. This epic (Qissa) is sometimes called the "Romeo Juliet" of Punjabi Literature, in which a tragic story of Heer is portrayed, Heer was a young girl who belongs to Siyal clan and Ranjha, a young man known by his clan name. Waris Shah portrays gender through poetic metaphor, dialogue, character, and plot. This research is qualitative in nature, theories presented by Ellen Armour, Susan St. Ville and Butler support this research. This research interrogates the gender representation of characters to uncover the social constructs to which Shah subscribed and Shah's multi-vocality of femininity as tied to the character of Heer and the character of Ranjha, by attending to descriptions of his appearance, his loss of property and arc that ends in his death, as well as his interactions with other characters. Through these two figures, Heer and Ranjha, Shah articulates a range of gendered forms, while ultimately adhering to patriarchal norms that are presented alongside other models. This research will support the upcoming researchers and the scholars who have desire to know about the Punjabi culture and the great cultural epic (Qissa) of all times "Heer Ranjha".

Hassan Bin Zubair. (2018) EXPLORING THE PUNJABI CULTURE, FEMALE REPRESENTATION AND ROLE OF CHAUVINIST PATRIARCHY IN THE HELLENISTIC MYSTICAL ROMANTIC PUNJABI EPIC HEER BY WARIS SHAH , Punjab Rung, Volume, Volume.
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