Abstract
Poem is known among important portions of poetry. It is necessary for
poet to keep the beauty of poem with poetry's compassion and sensitivity.
The subject of poem should not organize in such way that becomes harsh in
listening. The arrangement of words should be made in a manner to portray
its sense of beauty and compassion. There are few poets in Urdu literature
who try to maintain the color of "Taghazul" in their poetry. In fact Taghazul
is a term of poetry. Terms are the source of communication in different
languages. The style, diction, cadence, imagination, elegancy, inflection and
spontaneity in poetry are the elements which increase the beauty of ghazal.
Taghazul is not a genre of poetry. In fact it came from the combination of
painful emotions and desire. It is very important in taghazul to summarize
the delicacy and expression of words. If we look at the history of Urdu
poem, from the poets of Anjuman-e-Punjab to Halqa-Arbab-e-Zuaq there
are many important names, but there are two names known as the pillar of
Urdu poetry. These are "Iqbal" and "Faiz". Both poets had the status of pillar
in Urdu poetry. Iqbal presented the color of taghazul in his poems
beautifully. "Shikwa, Jwab-e-Shikwa, Khizar rah, Shama-o-Shair, Masjad
Qurtaba and Saqi Nama are his very significant poems. Faiz didn't lost the
line of taghazul he also continued this method. "Manzar, Tanhai, Raqeeb sy,
Aa jao Africa, Mujh sy Pahli c Muhabat mary Mehbob na mang and Shishu
ka koi Maseeha nhi" are Faiz's key poems. Iqbal was a philosopher and his
poetry is vastly under this umbrella. And the poetry of Faiz consist the
tension and emotions of public. Both poets belong to different eras and both try to follow different visible perception of poetry. They became similar at
one specific point that is taghazul in their poems, and this would be
admired in every era.
Mehmoona Sajani. (2020) اقبال اور فیض کی نظموں میں تغزل, Bazyaft, Volume-36-37, Issue-2.
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