Abstract
Khushal Khan has elapsed approximately five years of his invaluable life in detention of Mughals. Due to his most sensitive nature he never let his pen to stop and increasingly fed the literary flames therewith to be alive even during that imprisonment. "Firaq Nama" is the initial production of that literature of incatceration which has indubitably proved a foundation stone in the literature of incatceration. In this research paper Khushal Khan's those melodies of captivity are particularly highlighted in which he has remembered his region namely Pakhtunkhwa in different manners, which is not only an inception in the literature of remand in pashto but also an important literary asset of interment, which enfolds a great deal of historical incidents in itself
