Abstract
The article discusses the notion of depiction of nature as an extension of realism. Endeavours are made to depict the true picture of life without giving any moral judgement as a conclusion. Its traits are fourd from the end of the 19th century in France. Depicting nature was for the first time introduced in that era. Apart from didactic works discussion and open expression of individual and social evils was stated. Starting from Europe, it also affected the subcontinent literature and Manto, Chughtai, etc rose to be some of the greatest flagbearers of showing true nature in the gorb of realism. Mostly conventional taboos are keep under emphasis in this school of thought.
بابر حسین. (2018) فطرت نگاری حقیقت نگاری کی توسیع, تحقیقی جریدہ, Volume 2, Issue 1.
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