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Ghulam Abbas is a well-known, unique and epoch making short story writer of Urdu. He has won highest critical acclaim, thanks to his realistic style and chaste Urdu prose, even of native speakers of Urdu language. He was one of the representatives of the realist school, however, in his writing he was always indifferent any progressive or anti-progressive theory-mongering. In the present paper, the author attempts to bring out Ghulam Abbas uniqueness by analyzing his art of story-telling. One of his less well-known short stories ‘SAYA (The Shadow)’ is studied in order to discover how does it represent and exemplify his subtle fictional temperament. Like his other literary pieces, here also the story of SAYA is narrated in suggestive indeffinitve style. In spite of having explained everything in the clear cut way he tactfully leaves certain questions unanswered. Simultaneously the unanswered questions generate appreciation and curiosity in the readers mind.

Dr.Azeez Ibn alhassan. (2016) بغیر ہوا کے جنبش کناں اس پردے کے پیچھے کیا ہے , Mayar , Volume 15-16, Issue 2.
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