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This paper examines the application of the ‘framing’ technique by
Dario Fo in his play Trumpets and Raspberries so as to extend the
definition and concept of metadrama beyond a self-conscious exposure
of theatricality. A variety of frames expose camouflaged power systems
forming the ideological bases of representation. This takes place
through two stages in Fo’s play: firstly the voluntary destruction of
dramatic illusion, and secondly the exposure of the unconscious and
paradoxical theatricality of reality.
Amra Raza. (2015) Dario Fo’s Dynamic Frameworks in Trumpets and Raspberries, Journal of the Research Society of Pakistan, Volume 52, Issue 1.
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