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The article shows Sadquain’s mystic expression having a peaceful existence as a major component in the art of Pakistan, which is based on the mystic expression of Sadquain’s calligraphic inscriptions with special reference to the inscriptional paintings. Mysticism, symbolism, aesthetic limitations of the subject, functional relationship, inclusive study of the design patterns of the abstract geometry all are the segments of the article. Several scholars commented on Sadquain’s paintings. But nobody writes about his inscriptional calligraphic features in detail with the combination of mystic approach. This paper presents a correlation between abstract expression, colors and geometric patterns by analyzing the realization of emotional content, symbolic and stylistic representation of divine reality. The research process is comprised of a logical expansion to understand the particular subject through analytical study.

Samina Nasim. (2021) Mysticism as an indispensable Expression in Sadquain’s Calligraphic Paintings, Journal of the Research Society of Pakistan, Volume-58, issue 3.
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